“There’ll be no holding me back” – Frankmusik on his plans to shake up 2013 (interview preview)

Vincent Turner AKA Frankmusik, at Studio South London, Dec 2012. Photograph by Jaime Gill. Vinyl collection by Vince.

Vincent Turner AKA Frankmusik, at Studio South London, Dec 2012. Picture: Jaime Gill. Vinyl collection: Vince.

2012 ended with a bang at Pop Lifer Towers, thanks to one of our very favourite pop stars, Frankmusik (aka Vincent Turner). We’ve been a bit obsessed with Frankmusik since his fizzy, frequently fantastic debut, “Complete Me”, caused a stir back in 2009. Since then, Vince has been based in LA (more on that later), so we were thrilled when we learnt he was back home for Christmas to play a couple of shows and plot his third album. We were even more delighted when he gave us the chance to “sort out a quick interview” while he’s in town.

That quick interview turned into a marathon conversation at his London HQ, home and studio in Croydon, followed by a fruitful photoshoot (a couple of sneak previews above and below, though we didn’t manage to persuade him to get naked for this one, sorry fans). We got an exclusive listen to some of the new record (absolutely dementedly brilliant, from what we’ve heard – nobody else is doing music like this, though in five years time everybody might be) and a fascinating insight into Vince’s creative process. Continue reading

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Our Xmas present to you – free download of Frank Ocean’s debut album “Nostalgia Ultra” (yes, it’s late, but so are you)

Reposting this from 5 months ago, as a late Christmas present. We’ve noticed a big increase in the number of people visiting this page – presumably as a result of Frank Ocean’s second album, “Channel Orange”, deservedy winning just about every end of year poll in the world. So to make it easier, here’s the link again.

Hello to those who have asked where you can find “Nostalgia Ultra”, the Frank Ocean album referred to in our earlier blog.

free album below, no catch

Well, at the time of writing, go here to find a nice easy zipped download courtesy of the friendly folks of Get Right Music.

For the law-abiders among you, don’t worry – this is all legal (well, we think so, we don’t yet employ an in-house lawyer here at Pop Lifer) – Frank Ocean himself put this album out for free last year as a result of frustration at his record label’s refusal to promote it.

Lord knows what they were thinking. While “Nostalgia Ultra” isn’t as fully realised, fully rounded and fully beautiful as “Channel Orange”, it’s still  one of last year’s five best albums.

What with recent revelations, you might think “Songs For Women” – probably the catchiest song on board – was something of a red herring, but given the general mischief at work in the lyric, you can’t help but wonder if Ocean knew this song was one day going to be greeted wryly. Similarly, on first listen, 50-Cent favourite “Novocane” might sound like typical rap bragging – “Superhuman, even when i’m fucking” could be the abhorrent Chris Brown – until you hear the desperation and melancholy underpinning it: “I can’t feel, can’t feel a thing.”

More typical of Ocean are the slower and more reflective songs. “Strawberry Swing” samples Coldplay and is a gorgeous, shimmering and gentle meditation on childhood, while the brooding, organ-driven”Swim Good” finds Ocean heartbroken and driving out to the sea – maybe never to come back. And on “There Will Be Tears” Ocean reflects on his briefly known and departed grandfather to gorgeous effect. His honesty and vulnerability were there all along.

“We All Try” is the purest pop number, and should by all rights have been a global number one. On it Ocean sings of sin (“I don’t believe my hands are cleanly”) and sadness (“Can’t believe you would let me touch your heart”) but ends on a note of ringing positivity: “I just don’t believe we’re wicked/ I know that we sin, but I do believe we try.” It’s a sort of soul “Everybody Hurts” and gives the clearest indication of just what Ocean would achieve on “Channel Orange”.

And, yes, that is Radiohead you can hear in the background of “Bitches Talkin”.

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Advent Calendar Day 24: our PJ Harvey Award for album of 2013

And it looks like we might have made it, yes it looks like we have made it to the end – of our pop culture advent calendar. For those of you who have joined us on this from day 1, or just hopped on along the way, thank you. It’s been a long blog slog at a manic time of year, so we’ll probably take it easy here at Pop Lifer for a while, but it’s been a fun ride too.

Along the way we’ve examined the impact of the Olympics, lauded the genius of the Internet and  brainpicker’s unearthing of amazing online nuggests, enjoyed the furious brilliance of Plan B’s “Ill Manors”, expressed our longing for the return of Goldfrapp, named the Leveson Inquiry as the year’s most gripping drama, considered whether the Hillsborough victims are edging closer to justice, had fun and frolics with Frankmusik, enjoyed Grayson Perry’s ambiguous class commentary, congratulated Stone Roses for reuniting in a way that didn’t make us gag on our disgust and much, much more.

Yesterday we named Plan B as our single of the year, so today we inevitably turn to the album of the year. The truth is it wasn’t a viciously competitive year. We’ve said here before that it’s been a dull year for pop, a verdict surely proved by a glance at the UK top 10 at time of writing.

The UK top 10, courtesy of UK Official Charts, http://www.bbc.co.uk/radio1/chart/singles

The UK top 10, courtesy of UK Official Charts, http://www.bbc.co.uk/radio1/chart/singles

Do we really need to say much more? We supported the new number 1 for helping fund the Hillsborough families in their fight for justice, but we can’t defend it musically, let alone the rest of the bland, dead-eyed, “will this do” fare served up by the rest of the top 10, or the ongoing debacle of Gangnam. As for number 3, we remain convinced that this Britney Spears and will.i.am duet was what the Mayans were warning us about: not the end of civilisation, but the end of a civilisation worth living in. The presence of Olly Murs and Flo Rida on the same record 4 positions further down surely proves this theory beyond contest.

Strangely, it’s in the form of albums that music has been far healthier – a form which should really be dead by now, given the way that digital distribution has not just shattered the physical ubiquity of the album but also disrupted that whole patient, long-form way of listening. 2012 has given birth to some brilliant albums : we particularly loved the collaboration between David Byrne and the terrifyingly talented St Vincent, the well loved Grimes record and Jack White’s surprisingly focused solo record.

But two albums really stood out for us over the year, and are the only ones we stil play regularly long after their release. So here is our album of the year and our runner up, one probably a controversial choice, the other most certainly not. Continue reading

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Pop Advent Calendar Day 23: The Lady GaGa Award for Single of the Year

Welcome to Day 23 of our pop culture advent calendar. Every day we’ve been handing out a little treat in the shape of a mini-blog on something or someone we’ve admired or thought worth noting in 2012. Yesterday we handed out an award to the drama of the year – not Homeland or Breaking Bad but the Leveson Inquiry, the investigation that just kept on giving. Today, we give out an award for our favourite single of the year.

Previously on Pop Lifer.

  • “2012 chart music has been obnoxiously dull, joyless and lazy”
  • “We are not going to stop harping on about the Britney/ will.i.am atrocity until each has publicly apologised and all media agreed to never play the song again for at least a century”
  • “2012 has reminded us of 1991 and 2003”

In conspicuously bad music years like 2012, you sometimes have to look hard to find hope. There were a couple of mainstream acts who rescued the year from being hopelessly clumsy and uninteresting, and we’ll be blogging about these at length tomorrow. And of course there always good music to be discovered hovering under the commercial radar, with thrilling albums from the likes of Grimes and Beach House, or gutsy singles from new bands like the Banshees-inspired Savages. And there were a couple of other mainstream acts who rescued the year from being hopelessly clumsy and uninteresting. Thankfully, for our single of the year, despite (or probably because of) the barren landscape it sprung from, our choice was hard to avoid.

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Plan B

Plan B’s Ill Manors roared out of the nation’s speakers in March 2012 – a response six months in the making following August 2011’s riots. Ill Manors is a song about 2012 Britain that sounded musically and lyrically like it could have been made in no other time and place. Unlike Plan B’s previous album, it never once wallowed in retro. As the nation got ready to settle into a summer of self-congratulation with Jubilee celebrations and gold medals, awareness of the UK’s growing inequality was being wilfully ignored, in danger of being tidied away in the nation’s attic. Ben Drew AKA Plan B didn’t let it.

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Pop Advent Calendar Day 22: the Twin Peaks Award for Unlikeliest Drama (and Hero) of 2012

Welcome to Day 22 of our pop culture advent calendar. Every day we’ve been handing out a little treat in the shape of a mini-blog on something or someone we’ve admired or thought worth noting in 2012. Yesterday we took a break and slipped you a joke for your Christmas Cracker. Today we return to our highlights of 2012.

2012’s most surprising, brilliantly cast and oddly compelling drama wasn’t Homeland or Breaking Bad. At least, not if you were one of that peculiar subset of humanity who still give a shit about UK politics and journalism in the 21st century. If you had any interest in these, the thrill of 2012 was the cult three season blockbuster known as the Leveson Inquiry. These televisual epics were – in their scale, their efforts to focus in on different aspects of a decayed system, and their vast cast – the closest we’ve come to The Wire since its tragic demise.

Jeremy Hunt, a gift to rhymers everywhere, at Leveson Inquiry. Image courtesy Daily Telegraph

Jeremy Hunt, a gift to rhymers everywhere, at Leveson Inquiry. Image courtesy Daily Telegraph

Leveson debuted on our screens in late 2011 with a surprisingly starry cast (Hugh Grant, JK Rowling, Steve Coogan) lining up alongside some relative unknowns (the parents of Milly Dowler and Chris Jefferies, who’d been wrongly arrested for murder and promptly pushed onto front pages with a grotesque disregard both for justice and human rights). One by one, they revealed the full extent of amorality, sleaze and smear tactics UK newspapers wallowed in – by no means just the tabloids. It was a shocking and thrilling season, with villians every bit as compelling as the suffering heroes, from the understated malice of Paul Dacre to the jovial sleaze of Piers Morgan.

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Pop Advent Calendar Day 21: A Very Good Joke

Welcome to Day 21 of our pop culture advent calendar. Every day we’ve been handing out a little treat in the shape of a mini-blog on something or someone we’ve admired or thought worth noting in 2012. Yesterday we handed out the Kubrick Award for 2012’s Most Lingering Image. Today’s treat is not an award or even from 2012

It’s a joke. A very good joke and one of Pop Lifer’s all time favourites. Christmas just came early. 

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